gatefold lp, album, deluxe limited edition, stereo, 180g vinyl

william claxton collection, 180 g vinyl, legendary jazz albums, deluxe gatefold sleeve, limited edition

the lost sessions from miles davis, recorded 1985/86, are finally available on double vinyl.

the legendary 1968 album from miles davis, featuring wayne shorter, herbie hancock, ron carter, tony williams and george benson, is back on audiophile 180 gram vinyl.

the legendary 1968 album from miles davis back on audiophile 180 gram vinyl.

the classic miles davis album, remastered from the original session tapes plus a 1948 live set, on vinyl for the first time.

early tracks from one of the most important figures in jazz, recorded between 1947 and 1950.

limited reissue on red coloured 180 gram vinyl.

the birth of cool jazz back on vinyl.

limited reissue on blue 180 gram vinyl. contains a bonus track, that is not included on the original album.

a classic jazz album from miles davis - newly remastered and pressed on audiophile virgin 180 gram vinyl.

the greatest jazz artists of all time and their very best recordings. collection available on vinyl for the very first time!

a deluxe 3-lp-set on 10 inch vinyl, celebrating the 60 years of miles davis’ revolutionary soundtrack to louis mallevs movie. first vinyl edition comprising both the original soundtrack and the complete session takes. includes the previously unreleased track “l’interrogatoire de julien” and new album notes by franck bergerot. remastered from the original analog tapes, cut at abbey road studios.

the a-side features a set from the miles davis sextet with john coltrane and julian cannonball adderly, recorded live at newport jazz festival in 1958. thelonious monk quartet and pee wee russell’s set recorded live at newport jazz festival in 1963. pressing on 180 gram vinyl.

soundtrack to the 1958 film “ascenseur pour l’échafaud”, directed by louis malle, and starring jeanne moreau and maurice ronet. recorded in paris, december 4-5, 1957.

recorded live at the newport jazz festival on july 3, 1958.

miles davis’ greatest hits back on vinyl .

a true jazz classic from 1958, brought back to vinyl by wax love records in a limited edition of 500 copies.

the complete show from copenhagen, march 24, 1960 on miles davis’ and john coltrane’s final tour for the first time on vinyl.

limited edition re-issue of the classic miles davis album from 1963. includes the bonus track “summer night”.

kein anderer jazzmusiker spielte im laufe seiner 50jährigen karriere die trompete so lyrisch und melodisch wie miles davis. kein wunder, verlieh er seinem spiel dadurch eine ganz persönliche note. miles davis trug in großem maße zur entwicklung der jazzgeschichte bei und hatte zwischen den 40er und frühen 90er jahren bei jeder stilentwicklung seine hände mit im spiel. viele seiner anhänger behaupten sogar, dass der jazz in dem moment zum stillstand kam, als miles davis nicht mehr da war. auf dieser vinyl befindet sich ua der titel so what, eine jazzkomposition aus dem jahr 1959, dieser song wurde zum inbegriff des modalen jazz. auch die weiteren aufnahmen sind eine besondere rarität für alle fans des ausnahme-musikers.

scorned by critics at the time of its release, miles davis 1972 album >on the corner< is now seen as a forerunner of post punk, hip hop, drum and bass and electronic music, thanks to its revolutionary recording techniques. miles wanted to reconnect with a younger audience, who had forsaken him for rock and funk, and the experimental >on the corner< was his answer. leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. >on the corner< isnt one of miles easiest records to listen to, but it can yield the most fruits. now released with completely re-mastered audio on 180 grams audiophile vinyl in gatefold sleeve.

brand new legacy and deluxe collectors editions. to celebrate the 40th anniversary of its release. contains 3xcds, dvd, 2lp, book etc

der klassiker von miles davis aus dem jahr 1957, exklusiv in deutschland in limitierter auflage auf rotem 180 gramm vinyl.

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on gleaming blue 180g vinyl!

at the start of the fifties miles davis career had hit a barrier which, for a period of time, seemed insurmountable, but by mid-decade, with his substance-abuse troubles behind him, he had established himself as one of the major artists on the modern jazz scene. kind of blue can often be found at the very top of jazz record polls and, despite competing claims, is probably the best-selling jazz record of all time. the listener should be in no doubt that they now own some of the most essential music of the twentieth century and on 180g vinyl!

a miles davis classic from 1960, pressed on limited yellow 180 gram vinyl.

celebrating the 50th anniversary of miles smiles with this 3x12 inch vinyl, housed in a triple gatefold sleeve. features previously unreleased session recordings from 1966 - 1968.

black beauty, miles davis at fillmore west, was recorded on april 10, 1970 at fillmore west, san francisco, when davis performed as the opening act for the grateful dead. the album was released in 1973, originally in japan only. the original japanese booklet is included in this vinyl package. 180 gram audiophile double vinyl in gatefold sleeve.

a classic miles davis release back on 180 gram vinyl plus download code.

the essential mile davis career-spanning collection, featuring 14 tracks on double vinyl.

the “miles ahead” original motion piucture soundtrack features essential miles davis tracks, original compositions and dialogue from the movie. the double 12 inch vinyl is housed in a gatefold sleeve.

in 1949 miles davis, gerry mulligan and gil evans - they’d never met before - gravitated together with the natural affinity of kindred souls. combined, they gave each other a spiritual boost that resulted in many all-night sessions of earnest discussion, writing and playing-productive work on new musical ideas, new voicings, new concepts of jazz. their first appearance startled a delighted jazz public, and marked the birth of the cool. today, these famous miles davis instrumentals are as exciting as ever, and here are in all their glory.

the double live album dark magus was recorded on march 30, 1974, at carnegie hall in new york city. dark magus was released after davis’ 1975 retirement. after releasing the live recordings agharta (1975) and pangaea (1976), dark magus was originally only released in japan.
the 180 gram audiophile vinyl is housed in a gatefold sleeve.

the miles davis classic album from 1970 back on 180 gram double vinyl in gatefold sleeve.

a miles david classic from 1969 back on 180 gram vinyl.

reissue of a miles davis classic from 1960 on 180 gram vinyl.

a miles davis classic from 1960, remastered and pressed on high quality 180 gram virgin vinyl.

after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

“kind of blue” is probably the best-selling jazz record of all time. we precede the familiar stereo version with the legendary “kind of blue” mono mix - legendary because columbia records claimed that the tapes had been discarded long ago. the avaxhome audiophile website approved of the new perspective mono offers on a time-honoured classic, saying: “if you’re only used to hearing it in stereo, this will be a different experience. it sounds kind of “forward”, particularly the saxes. overall it has a nice timbre, especially in the midrange.”
vinyl 1: mono version (cl 1355)
vinyl 2: stereo version (cs 8163)

we want miles is now available on 180 gram double vinyl after almost thirty years! on the heels of releasing miles bitches brew live album, music on vinyl is also releasing another miles davis album that has been on their wish list for quite some time.

expanded double vinyl edition, 180 gr audiophile pressing, incling 12-page full colour booklet.

the shoes crew with four remixes of miles davis tunes from different eras. >so what< gets a downbeat dub re-rub, the big band horns and drums of >gone< are chopped over heavy breaks, and the classic fusion tracks >in a silent way< and >bitches brew< both get slow burning remixes.

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